I saw Pan's Labyrinth over the weekend. It was great. You should see it. The Mexican directors had a great year in 2006 apparently, though I haven't seen Babel, (the other Mexican directed film being, of course Children of Men). So I'm thinking maybe I should just do the trifecta and see Babel and get it over with.
Anyway, back to Pan's Labyrinth. Oh, and there will be spoilers ahead, so stop reading now if you don't want to be, well, spoiled. Okay, while I preferred Children this is defintely worth your time, your dime, and your effort. Pan's is a fairy tale through and through. The story is basic, a young girl, Ofelia, is going with her pregnant mother to live with her stepfather, a captain in Franco's fascist army in late 1930s Spain. While there, Ofelia learns her stepfather is a pretty rotten bastard. First fairy tale trope - evil step parent - check!
You know how in Disney movies, they always have the friendly, helpful servants? Pan's Labyrinth has them, too! Except they're allied with the communists hiding in the hills! So we have another fairy tale thingee going on here.
The list goes on. And that's before we actually get into all the creatures, like the Pale Man, the Faun, the fairies, and so on. It's a basic story, but there's a lot of question as to what's going on here. Is Ofelia really seeing the Faun? Is she really a princess? Is she just crazy? I think she's just dealing with the fact that her father has died - hey, another fairy tale trope! - and her mother settled for a real dickhead of a new husband. And if that means she's seeing fantastical creatures, more power to her.
Because in the end, not only is there a strong story here, it's beautiful to watch. The Faun, the Pale Man, the fairies are all wonders to behold. While I loved Del Torro's Hellboy it seems to me that his more personal stories - like The Devil's Backbone and this - are the better films.
Next up, Babel, Tears of the Black Tiger, and god only knows what else.
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2 comments:
Del Toro is the man. Can't wait for this to go into wide release so I can catch it. Is it better than Mirrormask?
I just listened to the director on Elvis Mitchell's podcast, The Treatment. If you don't catch it, you should. It's also on public radio but I don't know when they run it around here so the p'cast is so much easier. Anyhow, it's a neat interview. It ought to provide further insights into the film. It's on my to-see list. Maybe this weekend.
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